Futurism and Dadaism
Example of Dadaism |
Futurism is something that started in Italy in the twentieth
century and is something that developed into many things including
expressionism. This movement set out to show items of the future and to glorify
them and make them be seen in a way that they've never been seen before; this
was the start of abstraction. This style was used in all disciplines including
printmaking and sculpture. Futurism was a key part in modern art development
and remained popular until the start of world war two where expressionism
started to develop.
Something that this celebrated was the age of machine, where
cars, planes and all sorts of new engineering became popular. The work was very
engendered and architectural, the use of line and shape within the work. The
work is very subjective; it is very focused on man made things people where
very proud of these inventions and of going to war. I was seemed as a good
thing to the artists something that they hadn't really experienced before.
However Dadaism was a protest movement that happened at the
same time as futurism, but it protested against the changes that where
happening, but I quite like the changes in shape that were used in the work. I
wanted to look at these movements because of their use of shape line and colour
attracted me to them. I think that I'm going take into consideration the shapes
and the way that they sit next to each other when creating my work next week.
http://en.wikipedia.org/wiki/Futurism
Gillian Ayres
Distillation 1957 213 X 150 Cm |
Ayres is an English painter who studied in London and
continues to work in the UK. I wanted to look at the work because of her use of
colour and the way that the paint is applied. In my own work I have been using
similar colours and shapes. Ayres uses oil paints and often paints with her
hands she believes that this gives her more control over the paint.
The works have very simple forms within it usually in the
form of circles and squares. The work is very decorative; the main focus of the
work is on the mark making and rhythm of the colour changes. She is inspired by
Jackson Pollock and Monet's late work, the scale of the mark making is a way of
showing her emotions she wanted to feel a sense of being sublime through making
her work.
Ayres believes that the paintings have each have a character
to them and often makes her work when it is flat on the floor, just like
Pollock. She uses the paint thinner to manipulate the paint and make the
colours balanced throughout the painting. I think that I will try manipulating
the paint in the same way that Ayres does and also applying it in the same way
to see if that brings the painterly texture that I want to achieve to my work in
a better way.
http://www.tate.org.uk/art/artworks/ayres-distillation-t01714
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