Frank Auerbach
The Magdalen Laying Down her Jewels 1955 |
Auerbach is both a painter and a drawer who works in an
abstract and expressionist way. Auerbach was originally from Germany, but
escaped to England when the Nazi's took over where he attended boarding school
and then St Martin's college in London to study art. When he first started
showing he got allot of criticism about his application of paint, but it was
soon recognised as a new type form of up and coming artists.
I wanted to look at Auerbach specifically for his drawings,
some of them self portraits others are of figurative scene. I like the sketchy
look of them and the pace that they looks as if they have been drawn at, they
look really quick to do. I is really interesting how they are done, Auerbach
uses the process of building up layers of the charcoal and pencil to give you
the final finish on the work. It's really interesting because you have to look
really close to the drawings to realise this, however it is the same method
that he uses to create his paintings. The layers create depth to the work
because of the different tones.
All the works are very abstract and the lines are very
expressionist there seems to be a lot of movement captured in the drawings
because of this it's almost as if the figures are vibrating, it is quite
chaotic. The layers in the work suggest that he's never quite happy with the
image and a way of masking this is to add another layer until it does become to
Chaotic to notice. There subjects in the work don't always know that they are
being drawn they are often memories of something Auerbach sees in the day and
wants to keep to draw later, which could maybe fuel this frustration with not
being able to get it right because he can't quite remember what it looks like.
I think that this is something that I should try, working
from memory it might bring out more movement and expression in my work.
http://www.tate.org.uk/art/artists/frank-auerbach-676
Alberto Giacometti
man lost - 1947 |
Giacometti is a sculpture, printmaker and painter from
Switzerland who studied sculpture in Paris he had a fascination for the figure
and human form. I have a particular interesting his drawings, but since looking
at a wider arrangement of his work I really like his figurative sculptures. His
sculptures tended to be in bronze and the surface had a rough texture as if it
had been eroded away as if he was trying to turn back to their natural form.
Something that he did do with some sculptures, he reworked them turning them
into something completely different.
His drawings are really interesting, most of then sketches
of ideas for sculptures and future projects others self portraits, but the self
portraits where in different styles they seemed to me realist and
representational of a real human form. Whereas the other drawings are obviously
representational of the human form they aren't as you would usually see it the
shape different it's a bit like and alien to us, but Giacometti believes that
this is what he looks like he was trying to educate the work on this expressing
his ideas on the human form and why it is this way.
There are a lot of lines in the drawings and they are very
concentrated in specific areas creating a focal point making you concentrate on
that part of the work the most, making you completely appreciate the form of
the face. I really like the work and I think that I would like to reflect the
use of line in my work.
http://en.wikipedia.org/wiki/Alberto_Giacometti
http://en.wikipedia.org/wiki/Alberto_Giacometti
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